(magazine)) – quite an appropriate serial title in this context – their familiarity was obvious to all who visited Professor Feynman’s office at Cal Tech: According to the popular science magazine “Seed” (cf. □Ĭandy had a very famous acquaintance you should know about: the late theoretical physicist Dr. I love you Candy and I know your wish was to be closer to God. It gave me peace to know that she was content with herself. To indulge my intuition, I listened to the interview again just a week ago and it made me happy to hear Candy laugh and it was touching to hear her tell April “I like you”. She was so kind, caring, and sensitive in consideration of Candy’s condition. I want to thank the Rialto Report, and especially April, for her wonderful interview. She had a twinkle in her eyes, a beautiful smile, and she loved to laugh. Besides following Candy in all her magazine appearances, I had the pleasure to meet her and she was more sweet than I could have imagined. She was everything I could ever hope for. I have always felt connected to her and my feelings were right.Ĭandy is someone that I have adored since I was in my late teens and no one has ever come close to her in comparison as a woman in any way. Oh, I am so sad to hear this news and I checked your site for fear that something my have happened to our dear and beloved, Candy. The relationship didn’t end well, and Pat later died in jail where he was serving time for drug dealing.Ĭandy would sometimes pose for private photographic sessions for fans, who she encountered when dancing in clubs around the country.Ī rare photo of Candy with Russ Meyer at a convention.Ĭandy Samples recording The Rialto Report interview with April HallĬandy Samples with The Rialto Report’s April Hall In the early 1980s, Candy’s career was managed by ‘ Pat Romano‘. When The Rialto Report interviewed Candy Samples, her fondest memories were reserved for her friendship with Uschi Digard. _ Candy Samples – The Early YearsĬandy (second from left) in early modeling assignment (1967) The musical playlist for this episode can be found on Spotify. We are indebted to GH and KB for their kind assistance in putting this feature together. Our podcast tells the story of what happened next. We packed our bags, and went to meet her. She’d disappeared from public view, changing her name on multiple occasions (she was rumored to have married eight times), and we spent years trying to track her down.Īfter leaving messages for her with scores of people, we got a call from a person one day who told us that Candy was living with him. We figured that as she’d been active in the industry for almost 40 years it wouldn’t be difficult to find her. When we started The Rialto Report, we knew we wanted to interview her. And she had an online fan club where she would have chat sessions with fans. Somehow she just seemed to get more popular with age, and she developed a huge following that endured right through to her retirement in the late 1980s – and even today her magazine spreads exchange hands for elevated prices.Īfter she retired, she remained active – writing columns in the 1990s for magazines like Juggs. Her staggering physique made her an instant favorite, and for many years she toured as an exotic dancer. With her formidable physique, she looked like an Amazonian queen fit, tanned, and invincible. She often played the roles of older women that somehow looked like your mother’s naughty friend, exuding a mysterious sex appeal.Īnd then there were her breasts. She had a mischievous, friendly look that stood out from all the other models. She was in black and white cheesecake photo sets from the late 1960s, thousands of magazines, and scores of films – from softcore to hardcore, from loops to catfight wrestling shorts. Candy Samples, who enjoyed a long career as a hugely popular buxom model in men’s magazines and as an actress in adult films, passed away this week.Ĭandy Samples was one of the true larger than life figures that lit up the early adult industry: she appeared in cult movies such as Russ Meyer‘s Beneath the Valley of the Ultra-Vixens (1979) (where she was ‘The Very Big Blonde’) and Up! (1976), and also Flesh Gordon (1974), Fantasm (1976), Deep Jaws (1976), and The Best Little Whorehouse in San Francisco (1985), as well as tens of loops – to name but a few.
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